A Drummer's Testament: chapter outlines and links
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Volume II: OLD TALKS: DRUMMERS. CHIEFS, HISTORY, AND RELIGION
Part 3: FESTIVALS IN COMMUNITY LIFE AND THE WORK OF DRUMMERS
Chapter titles above go to chapter outlines on this page.
Chapter title links in the outline sections below go to chapter portals.
Outline section links go to web chapter sections.
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The traditional calendar; Buɣim (Fire) Festival; the origins of the Fire Festival; historiographic resolution of Muslim and non-Muslim aspects of the Fire Festival; appropriation of customs; the fire procession; the opening of the talisman; Dambabilaa
Introduction
- 1. how drummers' work follows different months, especially festival months
- 2. the talk of festivals joins the talks of greetings and chieftaincy; festivals' respect follows chieftaincy
- 3. drummers go to chief's house to announce the festival
- 4. summary of the work of drummers in different festivals
The Dagbamba calendar
- 5. no calendar of months until Naa Zanjina brought it
- 6. the twelve months and the festivals
- 7. follows Arabic lunar calendar; does not follow seasons
Buɣim
- 8. first month of the year; Fire Festival from Muslim religion; story of Prophet Nuhu and flood
- 9. festivals come from Muslim religion, but also are mixed with typical Dagbamba
- 10. Fire Festival month is very important to typical Dagbamba
- 11. throwing fire and reading Muslim talisman are two different aspects
Questions about the origins of the Fire Festival
- 12. drummers say Muslim origin; typical Dagbamba have adopted it
- 13. Nyologu Lun-Naa's talks or pre-Islamic presence; most drummers would disagree
- 14. typical Dagbamba stories confuse the issues
- 15. typical Dagbamba claim Buɣim for themselves; sacrifices to medicines; no evidence that tindanas ever did anything with fire
- 16. looking at different talks can obscure the truth; proverb about witches
- 17. even maalams can differ on Damba origins; Damba Festival collected by the chiefs
- 18. typical Dagbamba can appropriate customs; their ideas work for them; not an argument
- 19. origins of Muslim religion in Dagbon is also vague; mixing of customs
- 20. maalams are very important in Buɣim; prayers after throwing fire; tenth day readings; mixing
Appropriation of customs in festivals and community celebrations
- 21. example: Guinea Fowl Festival, Muslim origin but maalams don't whip guinea fowls
- 22. example: Christmas from white people but celebrated seriously by Ashantis, Ewes, Gas
- 23. mixing and collecting customs is the way for every era of the past; Dagbamba collected the local gods when they came; Muslim brought the calendar and sense of history when Dagbamba did not even know months; evidence that Buɣim Festival from the Muslims
- 24. drummers support the Muslim origin of Buɣim; they don't involve themselves to challenge ideas from typical Dagbamba
- 25. origins of drummers and drumming from Bizuŋ, but Bizuŋ got the drum from somewhere
- 26. story of Guruma origin of luŋa
- 27. anything someone has comes from somewhere; can add something of his own
- 28. example: Dagbamba perform Muslim weddings
- 29. example: Kusasis dancing Damba
- 30. example: Walas dancing Damba
- 31. example: Gonjas dancing Damba
- 32. Dagbamba also collect other traditions to be theirs; drummers are people who ask; more disciplined; different type of knowledge from typical Dagbamba
The Fire Festival month
- 33. no weddings or funerals the following month, so people do them during Buɣim
- 34. scheduling events during the Buɣim month
- 35. sometimes smaller chieftaincies installed before or on the festival day
- 36. typical Dagbamba “repair” medicines; sacrifices
The ninth day
- 37. Fire Festival day, children collect grasses and tie them; shea butter to make the a torch; give to uncle or grandfather, who gives gift of money and sometimes an animal to the child
- 38. cook food and share to other houses; put food on the walls of the house for dead people
Throwing the fire
- 39. in the evening, gather at chief's house; Kambonsi with guns and bells; drummers; people wear traditional dress and carry cutlasses, axes, and knives; can engage quarrels
- 40. chief and Paani and elders make fire; drummers and flute players and Akarima; light torches and beat Ʒɛm; chief and followers throw torches and return to house
- 41. young men and women light torches; women remove skirts; how they dress and carry the torches
- 42. processions through town and to bush to throw the torches into trees; drumming and singing; the type of songs and drumming
- 43. settling grudges during procession; shake burning oil on others or use weapons
- 44. some people avoid the Fire Festival dangers; consult soothsayers before going; throw the fire outside the house
- 45. after throw the fire; return to dance in front of chief's house; beating Ʒɛm, Baŋgumaŋa, and Pan' dola yɛliga
- 46. maalams make walga medicine for people; walga in a pot at chief's house; chief's wives use branches to throw it on dancers; procession continues to houses of Limam, Kamo-Naa, and Wulana
- 47. people return to house and bathe “New Year's water”; Kambonsis return to chief's house and dance all night; Simpa and drumming, too
The tenth day
- 48. go around and greet the New Year; greetings everywhere; chiefs greet others; gifts and grandson money; some people shave "bad hair"
- 49. in morning, chief drummer gathers people at chief's house; Limam says prayers; chief slaughters an animal; Limam unfolds sabli that predict the year and show sacrifices to perform
- 50. Buɣim is considered the first month and oldest month of the year
Dambabilaa month
- 51. a bad month; no weddings, funerals, chieftaincies; drumming only beat for namings or at market; bad-luck month
- 52. maalams talks about bad days in Dambabilaa; different habits
- 53. Dagbamba take Wednesday to be a bad-luck day or good-luck day; especially fearful during Dambabilaa; waiting for Damba
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Origins of the Damba festival from Naa Zanjina; the work of drummers in the Damba Festival; the Somo Damba; the Chiefs' Damba; how villagers celebrate the Damba Festival; the Damba Biɛlikulsi; Namo-Naa's role in the Damba Festival
The respect of Damba
- 1. Damba the most important month
- 2. people prepare for Damba
- 3. other tribes have collected Damba
- 4. counting additional tribes who have collected Damba
- 5. the talk will follow the month; birthday of the Holy Prophet on the eleventh day
- 6. Alhaji Ibrahim has learned more about Damba
Origins of Damba: Naa Zanjina
- 7. Damba Festival started from Naa Zanjina
- 8. Naa Zanjina got Damba from his travels; probably from Hausas
- 9. Wangaras also know Damba; how drummers beat for Wangaras during Damba
- 10. how drummers beat Zabaɣ' Damba for Wangaras on twenty-seventh day of Ramadan; how young girls dress and sit on platforms
- 11. young girls dancing with horse tails; young men come to find them as wives
- 12. Naa Zanjina traveled; opened the eyes of Dagbon
- 13. Damba not from Gonjas; their traditional musicians cannot beat Damba
- 14. most drummers believe that Damba from the Hausas; Hausas have lectures during Damba month; Naa Zanjina made it a festival with dancing
- 15. first Damba celebration; Mba Duɣu started the dancing; meaning of the name Damba
- 16. not much drum language in Damba beating
Evening drumming at the chief's house
- 17. when Damba moon comings out, drummers go to chief's house in evening; respect the chief
- 18. drumming from eight to ten o'clock; people learn dancing there; different dances
- 19. Damba dali paɣa drumming: its meaning; sexual license during Damba
Somo Damba: the eleventh day
- 20. the Somo chieftaincy; the rice-picking day on tenth day; Somo day morning: walking around the cow; slaughter the cow; drumming
- 21. afternoon drumming at chief's house; chiefs and elders gather with drummers around 3:30; Somo comes out
- 22. chief comes out and dances Damba; big dance circle for the visiting chiefs; until six o'clock
- 23. evening around eight o'clock, another gathering at chief's house; dancing and singing
- 24. many different dances at Damba festival
- 25. no particular meaning for the dances as part of Damba; whatever dances people want
Naa Damba: the eighteenth day
- 26. seventeenth day: going around and slaughtering cow, similar to Somo day
- 27. cow's head to Namo-Naa; how the cow parts are shared
- 28. afternoon dance at chief's house; dancing until daybreak
- 29. eighteenth day: Holy Prophet's birthday; Damba Biɛlikulsi; many people fill the town
How villagers come to towns for Damba
- 30. how villagers celebrate the Damba; Damba greetings; bringing food to the town
- 31. villagers and townspeople compared; villagers focus on food
- 32. how villagers dress; carrying smocks to town
- 33. how villagers overdo antimony on the eyes
- 34. village women wear mukuru, a skirt from woven cloth
- 35. how the village girls overuse lipstick
- 36. how the village girls overuse powder
- 37. village girls don't wear cloth as well as town girls, but wear mukuru better
- 38. village girls gather to dance Lua
- 39. how they dance Lua; risk of injury
- 40. Lua dancing compared to other dances
- 41. how different the villagers are from townspeople
- 42. villagers do not dance well; cannot dance when riding horses
- 43. villagers fear the town but come for Damba; how they respect Damba and give greetings
- 44. how townspeople dress up their children
Damba Biɛlikulsi
- 45. eighteenth day is the big day; big gathering; many people ride horses
- 46. how the chief dresses; how the horses are dressed
- 47. Nachimba-Naa leads youngmen to the chief's house
Interlude: the respect of horses
- 48. high respect for horses in Dagbon; adds respect to the horse owner
- 49. people strive to get a horse in their life
- 50. horses used in war
- 51. chief is supposed to buy horses for his elders, especially the chief of drummers
- 52. a horse has more respect than money
- 53. horse sleeps inside the hall of the house; several people take care of it
- 54. riding horses for the respect of Damba; how the horses dance; drumming beats for horses
- 55. other drum beating for horses to dance
- 56. how the rider controls the horse to make it dance
Damba Biɛlikulsi (continued)
- 57. the youngmen arrive at the chief's house; dismount and dance Dɔɣu
- 58. Kambonsi fire guns when the chief comes out
- 59. the chief and the youngmen mount horses again; roaming and dancing
- 60. chiefs' drummers and youngmen's drummers; like the Tamale drummers
- 61. youngmen's drummers different from chiefs' drummers; chieftaincy dispute has made more people call the youngmen's drummers
- 62. Damba in Tamale: procession to Dakpɛma's house; dance there; continue to zongo
- 63. procession continues to chiefs of other tribes in the town; dancing
- 64. drummers accompany their person home: the chief, Nachimba-Naa, Magaaʒia; end of Damba around six o'clock
How Damba shows the respect of drummers
- 65. importance and respect of drummers in the Damba Festival
- 66. how Namo-Naa rides a horse and follows Yaa-Naa in Damba; Yendi drum chiefs all ride horses and beat
- 67. Namo-Naa does not beat; he sings; the other drummers, chiefs, and princes lead Namo-Naa
- 68. Namo-Naa has the respect of a paramount chief
Conclusion
- 69. Damba the biggest festival; main dance for the chief; the other chief's drumming are Punyiɣsili and Samban' luŋa
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The origins and celebration of the Kpini (Guinea Fowl) Festival; Ramadan/Konyuri Chuɣu (Mouth-tying month); why Dagbamba fast; difficulties and techniques of fasting; the work of drummers during Ramadan: Asem and Bandamda at the chief's house; the 26th day of the fast; the Eid' (Praying) Festival, the Samban' luŋa in the Eid' Festival; the respect of drumming during the Ramadan; example: a trip to Akosombo and how the drummers were respected; Chimsi (Sacrificing) Festival
Guinea Fowl Festival
- 1. Transition: Naa Zanjina brought Islam to Dagbon; learned of Guinea Fowl fesitval
- 2. the story: guinea fowl refused to show Holy Prophet where there was water
- 3. whipping a guinea fowl; slaughter, cook food and share
- 4. drummers go to butchers; drum and get meat; beat Nakɔhi-waa
- 5. no longer there because of chieftaincy dispute
- 6. drummers sometimes go around to houses; some people eat chieftaincies
Ramadan fasting
- 7. many talks
- 8. people set a goal of fasting; how they fast
- 9. how fasting started; Naa Zanjina learned fasting from maalams; the meaning of fasting
- 10. importance of early morning food; people use different strategies
- 11. different ways to break the fast; sickness; postponing the fast
- 12. how women fast
- 13. how Alhaji Ibrahim fasts
- 14. problems of fasting; irritability from hunger; differences among people
- 15. girlfriends cook food for boyfirends; part of courtship
Ending the fast: Water-Drinking Festival
- 16. on twenty-sixth day: slaughter animal and share food; children go to houses singing; alms
- 17. new moon: happiness at end of month when new moon; alms
- 18. Eid' prayers gathering; general happiness; people who only pray during Ramadan
Drummers' work during Ramadan
- 19. during fast, drummers beat every evening at chief's house; Samban' luŋa when new moon breaks; go around to houses after general prayers
- 20. Naa Zanjina's time: Limam to lead prayers at chief's house during Ramadan
- 21. Namo-Naa also led drummers to chief's house
- 22. beat Asam: Gingaani when beaten during Ramadan; no dancing
- 23. beat Bandamda on Thursdays and Sundays; no dancing; singing until midnight; Bandamda also only for women chiefs and tindanas
- 24. Ramadan: respect the chief with drumming and singing; young drummers learn
The drum chiefs and the chief's house beating
- 25. how Namo-Naa divides the drumming among the drum chiefs
- 26. Yendi: Namo-Naa for ten days; Sampahi-Naa for ten days; Namɔɣu-Lun-Naa, then Namɔɣu-Yiwɔɣu-Naa and Namɔɣu-Wulana
- 27. how Yendi drum chiefs divide the days; shows their status
- 28. not all drum chiefs beat; all earnings to senior chief to distribute
- 29. example of Nanton: different days for Maachɛndi and Lun-Naa
- 30. how Savelugu drum chiefs divide the Ramadan beating
- 31. how Nanton drum chiefs divide the Ramadan beating
- 32. how Voggo drum chiefs divide the Ramadan beating
- 33. how Kumbungu drum chiefs divide the Ramadan beating
- 34. how Mion drum chiefs divide the Ramadan beating
- 35. how Karaga drum chiefs divide the Ramadan beating
- 36. how Gushegu drum chiefs divide the Ramadan beating
- 37. the drum chiefs all have their standing places in the towns
The Samban' luŋa
- 38. when the new moon comes out, the chief sends a messenger; drum chief chooses drummers to sweep the compound and to sing the Samban' luŋa
- 39. Namo-Naa can choose to sing or not
Drumming for the general prayers; the respect of drumming in festivals
- 40. the next day: general prayers; Namo-Naa goes to the chief's house to beat
- 41. the chief and Namo-Naa ride horses to the prayers
- 42. after the prayers, ride back to the chief's house; Namo-Naa beats; Gingaani when chief dismounts
- 43. dancing at the chief's house
- 44. how the drummers lead Namo-Naa home
- 45. the next day, Namo-Naa and drummers greet the chief the new year; dancing at the chief's house
- 46. in towns, drummers enter houses to beat morning and afternoon; new year greetings
- 47. how drummers go to other towns; the respect of drumming
- 48. one can see the respect of drumming in festivals and traveling
Example: traveling to another town during festival months
- 49. Alhaji Ibrahim invited to bring drummers to Akosombo for Ramadan
- 50. money sent for transportation
- 51. how drummers protect their drums when traveling; spare parts
- 52. how they were received; lodging and food
- 53. going around to greet; receiving money
- 54. arranging a Samban' luŋa
- 55. beating the Samban' luŋa; their gifts
- 56. drumming the next day
- 57. farewell from Akosombo; how people praised their drumming
- 58. the chieftaincy dispute: Andani house woman asks for Andani drummers; chief agrees
- 59. how the Dakpɛma drum chief consulted with Alhaji Ibrahim
- 60. Dakpɛma drummers not well received at Akosombo; Akosombo chief writes Alhaji Ibrahim
- 61. Alhaji Ibrahim's return to Akosombo; well-received; the removal of Naa Mahamadu
- 62. the Akosombo chief writes Alhaji Ibrahim; how they discussed the situation
Chimsi
- 63. pilgrimage month; Samban' luŋa beaten
- 64. the festival from the Muslim religion
- 65. sacrifice animals; story of Prophet Ibrahim
- 66. a happy month; blessings of the sacrifices
- 67. Chimsi month for pilgrimage to Mecca; a dangerous journey
- 68. how the pilgrim's friends and family welcome him back
- 69. in Dagbon, celebrate with general prayers, Samban' luŋa
- 70. sacrifice of animals; sharing the meat; dress and go around to greet; drummers go to houses
Conclusion
- 71. Buɣim follows Chimsi; festival talks join many other talks
- 72. the talk of festivals has fallen well
- 73. conclusion: tomorrow's talk