A Drummer's Testament: chapter outlines and links
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Volume III: IN OUR LIVING
Part 5: OLD AGE
Part 6: CONCLUSION
Chapter titles above go to chapter outlines on this page.
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Outline section links go to web chapter sections.
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Volume III Part 5: Old Age
Customs regarding the remarriage of widows; chiefs' widows: public bathing and beating; passing through the broken wall
Widows are different from other unmarried women
- 1. widows present issues; some people see them as bad luck; others search for them
- 2. people fear widows; many people will not marry a widow
- 3. if a woman is widowed twice, only someone with medicine will marry her
- 4. some people search for widows; different reasons
How widows marry again
- 5. widow's dress: white cloth and scarf; at family house, many men together trying to find her
- 6. to search for a widow, stay with friend to send money to widow's elder; need soothsaying stone
- 7. soothsaying stone is ten-pesewa coin; how the soothsayer and family head hold walking stick over all the stones
- 8. when they choose one stone, family head goes and tells the widow
- 9. the suitor's householder sometimes collects the widow at night
- 10. other suitors may use vua or paɣali to steal the widow
- 11. sometimes fight with chosen husband; widow's family intervenes
- 12. arguments and trickery to send the widow without trouble
- 13. the other suitors collect their money back from the widow's housepeople
- 14. the new husband and the widow will eat karga before sleeping together
- 15. customs regarding sleeping with the widow; white cola; if widow gives birth to a boy
Chiefs' widows are beaten
- 16. dead chief's housechildren beat the widows; not the chief's actual children; mistreated by the chief's wives
- 17. can be protected from beating if have children in the house or family in the town
- 18. widows stay in houses near the chief's house until the funeral
Bathing the widows and how they pass through the broken wall
- 19. on the funeral day, Mba Naa comes from Yendi to bathe the widows
- 20. the bathing attracts many spectators
- 21. how they bathe the widows and dress them
- 22. faithful wives take spears and pass through the broken wall to the grave; drummers beat Baŋgumaŋa
- 23. those who don't pass the broken wall are whipped by Mba Naa; some pay bribes to pass
- 24. how drummers praise widows who pass the wall; family will slaughter an animal
- 25. jealousy and medicine against such widows
- 26. how the widows greet in the town the morning after the funeral and then go to their family houses
Conclusion
- 27. widows talk is different from other women
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Old age and respect; status of old people; responsibilities of old age; the family head; how old people live; types of old age; lives of three old people compared and contrasted
The respect and works of old age
- 1. old age come from God; many talks; respect for old person, rich person, chief, maalam
- 2. comparison to chief, to rich person, to maalam with intelligence
- 3. old age is not simply age or white hair; it is how one holds oneself
- 4. old person holds himself; tried to repair things, whether succeed or fail
- 5. old people consult and repair quarrels or problems that spoil people's way of living
- 6. in a quarrel, give the right to the elder person
- 7. an old person holds people; acts as if blind and dumb and deaf, acts with patience
- 8. an old person without people is not old; cannot hold his children; not a family head
- 9. an old person is family head; old age is in the heart and will come into the open
- 10. all family events and work require the presence of an elder; sacrifices
- 11. old person also holds the area around a house; helps anyone in the area
- 12. an old person's presence reduces consequences at the chief's court
- 13. people put the old person's name in front without informing him, and he accepts
- 14. people do not argue with an old person who lies
- 15. old age comes to someone who feeds and takes care of his housepeople
- 16. an old person holds people in a house; housepeople farm and help him; give him leadership
The old age of women
- 17. an old woman will get the same respect; has taken care of the children in the house
- 18. respect an old woman who is a mother; fear of the mother's house; can swear a curse
- 19. people who are feared in a household: mother, mother's brother, father
- 20. old woman without children also gets respect from housepeople
- 21. an old woman with bad character does not get respect
- 22. men have eldership more than women
- 23. a woman whose old age would make her the family head will give the eldership to a man
- 24. people will accuse the woman family head of witchcraft
- 25. women know the family talks and teach the children; they get respect in old age; example: Alhaji Iddi and his mother
Taking care of old people
- 26. Dagbamba take care of their elders; food, clothing, gifts; God repays the good
- 27. a good old person without children: people take good care; it appears he has children
- 28. if people let an old person suffer, their things will spoil
- 29. if children neglect their old person, their mother or father can curse them
- 30. old person's talks stand and do work in a family; continuing presence
Old age and drumming
- 31. transition to examples of old age among some drumming elders
- 32. a drummer is an old person; knows the talks of yesterday; addressed as “grandfather”
- 33. Alhaji Ibrahim is an old person in drumming because of his leadership; did not choose it
- 34. Alhaji Ibrahim has shared money among drummers for thirty years, even in other towns
- 35. an old person can talk of yesterday, today, and tomorrow
Alhassan Lumbila's old age
- 36. example: the character of Alhassan Lumbila; how children followed him to the farm
- 37. Alhassan's relation to Mangulana and Sheni; Alhassan's seniority in drumming
- 38. Alhassan's wives and children
- 39. the incident of Gukpe-Naa Iddi, Toombihi, and Alhassan Lumbila
- 40. Alhassan received money from anyone who beat drumming in Tamale; his respect
Alhaji Adam's old age
- 41. Alhaji Adam has the same personality as Alhassan Lumbila; does not get annoyed
- 42. the age of Alhaji Adam; the oldest drummer but does not have Alhassan's old age
- 43. Alhassan's talk; Alhaji Adam does not get money like Alhassan; only Alhaji Ibrahim gives him his share
- 44. proverb about white matter from the eye
- 45. Alhaji Adam's acknowledgment to Alhaji Ibrahim for helping him
Sheni's old age
- 46. Sheni is like a chief; how Sheni suffered for Alhassan Lumbila
- 47. Sheni also has Alhassan's character; white heart; his friendship with John
- 48. why Sheni gives John money
- 49. how Sheni greets Alhaji Ibrahim, despite being the elder
- 50. Sheni knows many people; has more respect and more old age than Alhaji Adam
Comparing Alhaji Adam and Alhassan Lumbila
- 51. Alhaji Adam has respect, but not up to his father's; entered chieftaincy talk; Andani side
- 52. Alhassan did not choose among drummers; took all to be his children; Tamale drummers are Abudu side
- 53. Alhassan told Alhaji Adam that one day he would not get benefit; an old man's talk happens
Conclusion
- 54. the talk is relevant to all people, not just Dagbamba
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Volume III Part 6: Conclusion
The history of Alhaji Ibrahim's relationship with John; problems of the work; why Alhaji Ibrahim did the work; how he feels about it; final instructions to John
Introduction
- 1. conclude with history and difficulties of how John and Alhaji Ibrahim did the work
John's initial training in drumming
- 2. John's arrival in Dagbon; asks to learn drum beating
- 3. John returns from travel to start drumming; arrangements for charges
- 4. John begins lessons; encouraging start; Alhaji Ibrahim delegates two drummers to teach
- 5. issues with the two drummers; Alhaji Ibrahim rejoins the lessons
- 6. Alhaji Ibrahim observes John's character and dedication to learning
- 7. John learns more than expected
- 8. John accompanies drummers to performances; asks to add more knowledge
- 9. further conflict with the other teachers; Alhaji Ibrahim blames them and not John
- 10. Alhaji Ibrahim's advice to John to manage the lessons with patience
- 11. Alhaji Ibrahim sends John to Alhaji Adam Mangulana for medicine
- 12. John buys drums and guŋgɔŋ; demonstrates more commitment
- 13. John's respectful demeanor
Development of the relationship
- 14. John leaves on good terms; some people criticize the lessons
- 15. Alhaji Ibrahim and John correspond; John responds to Alhaji Ibrahim's wife's death; the friendship continues
- 16. resistance and arguments against the friendship; Alhaji Ibrahim and John disregard the criticism; John returns to continue lessons
Development of the lectures
- 17. Alhaji Ibrahim begins teaching “hidden” talks; Baŋgumaŋa and Ʒɛm; John makes sacrifices; sign of respect
- 18. Alhaji Ibrahim's instructions regarding the significance of the sacrifice
- 19. the initial interviews on the hidden dances set format; John returns and asks for lectures on Dagbon
- 20. Alhaji Ibrahim's doubts about how to lecture
- 21. Alhaji Ibrahim decides to talk about what he knows to be true; trust in the truth
- 22. from the start, the talks go well; confidence in their value
- 23. criticism and arguments against the work
- 24. the elders support the work; Alhaji Ibrahim refuses the criticism of young people and outsides
- 25. naming the elders who encouraged the friendship of Alhaji Ibrahim and John
- 26. John sends Alhaji Ibrahim on pilgrimage to Mecca; significance of the gift
- 27. the work continues; the difficulties of organizing Alhaji Ibrahim's pilgrimage; the benefits of patience
Alhaji Ibrahim's intentions and motives
- 28. happiness and shyness
- 29. respect for differences and distance between John and Alhaji Ibrahim; not because of money but for all to benefit
- 30. enhance the name and reputation of Dagbon
- 31. extend the knowledge of elders and ancestors
- 32. involve the group and associates for guidance
- 33. John's sickness; the work continues over many trips; re-reading and repairing the talks to finish them
The benefits of the work
- 34. Alhaji Ibrahim's confidence in the talks
- 35. the work has its extent
- 36. blessings and benefit of the friendship and the work
- 37. the work should benefit all involved; good to conclude with a sacrifice
- 38. comparison to the sacrifice for the old talks
- 39. the suggestion of a sacrifice is a recommendation that John can choose to follow or not
- 40. the sacrifice is to secure the benefit of the work
- 41. John has no debt for the work; friendship
- 42. John should respect the work and present it with respect